Changes will be updated in After Effects. In After Effects, you’ll get a single linked clip that represents the duration of your Premiere sequence you can still go back to Premiere Pro to refine your edit. In After Effects, choose the File > Dynamic Link menu command. You can use a Premiere Pro sequence as footage in After Effects. Edits and other changes are automatically updated across applications. Tip 7 Integrate with Adobe Dynamic Linkĭynamic Link allows content from one application to be shared with another without exporting intermediate files or even copying projects. To do this, choose the Import > Adobe Premiere Pro Project command in the File menu. For example, color correction added to individual clips in Premiere Pro can be refined in After Effects. This creates a similar project in After Effects and preserves timeline edits and some effects. Premiere Pro projects containing R3D files can be imported into After Effects. Tip 6 Import Premiere Pro into After Effects 709) Project Workingspace when working with After Effects and Premiere Pro together on the same project. Once this change has been made, After Effects will automatically interpret the colors provided by the R3D plug-in correctly. # rule to make red raw files available as Rec709 Mac: Applications/Adobe After Effects CS4/interpretation rules.txtĪdd the following 3 lines of text directly above the line “# this soft rule should be the last in the list of soft rules”: Vista32/XP32: C:Program FilesAdobeAdobe After Effects CS4Support Filesinterpretation rules.txt Vista64: C:Program Files (x86)AdobeAdobe After Effects CS4Support Filesinterpretation rules.txt
After Effects can make this change automatically with a small revision to the After Effects “interpretation rules.txt” file. 709) color profile in the Color Management tab of the Interpret Footage dialog.Īssigning color profiles on a clip-by-clip basis can be time consuming, however. If your previous workflows relied on Color Management in After Effects (for example, if your Project Workingspace is set to something other than None), you should change is to assign the HDTV (Rec. To keep the color of your R3D files consistent when moving between After Effects and Premiere Pro, you must change the way After Effects interprets R3D files. Don’t forget that you can access the settings in After Effects by choosing RED Settings… from the Edit menu. Using them together will give you expanded output options from Premiere Pro. There are also several workflows you can use with Premiere Pro and After Effects together for integrating editing with effects. This is because you can use the normal Composition resolution setting to temporarily lower the resolution for better performance.īy setting your After Effects project to 32-bit (float) color depth, you will preserve extended range color information for more accurate compositing and color correction. In After Effects, you will notice that the resolution choice is disabled. Later, when you are done editing, you can create a higher resolution sequence and reset your clips to higher native resolutions, such as 4K, for high-quality export, grading and effects workflows.
Lower resolutions will give you increased playback performance during editing. When working in Premiere Pro, a low-resolution setting, such as 512 or 1K, can be assigned to RED media with a higher native resolution. To access the settings in After Effects, choose RED Settings… from the Edit menu. (The Source Settings menu item is also available in the Clip menu.) To access the RED Source settings in Premiere Pro, select a RED clip in the project panel, right-click to bring up the contextual menu and select: Source Settings. You don’t have to change the settings in two places every time you make a change. Most of the settings in this dialog are global, which means the settings affect both Premiere Pro and After Effects. You can assign your RED media with a working resolution by using the RED Source Settings dialog in Premiere Pro or After Effects.
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